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类型【址:a g 9 559⒐ v i p】1:孟祥志 大小:gR2ar3cd56674KB 下载:8VE2YPA265251次
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日期:2020-08-05 15:55:48
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李代良

1.【址:a g 9 559⒐ v i p】1  Naught of this genial influence do I know! Within me all is wintry. Frost andsnow I should prefer my dismal path to bound. How sadly, yonder, withbelated glow Rises the ruddy moon's imperfect round, Shedding so faint alight, at every tread One's sure to stumble 'gainst a rock or tree! An IgnisFatuus I must call instead. Yonder one burning merrily, I see. Holla! myfriend! may I request your light? Why should you flare away so uselessly? Bekind enough to show us up the height!
2.  Come in!
3.  I know you now, - and therefore will retire; At present you've distinguishedcompany. Pardon the freedom, Madam, with your leave, I will make free tocall again at eve.
4.  Now only say! what liquor will you take?
5.  Come with us, come with us from Felsensee.
6.  I am, in truth, of humble blood The gentleman is far too good Nor gems nortrinkets are my own.

计划指导

1.  In the Intermezzo
2.  Coarse beggar's gruel here we stew.
3.  Dr. Johann Faust: Dr. Johann Faust watching a magic disc in his study.Engraving by Rembrant.]
4.  Your pardon! 'tis delightful to transport Oneself into the spirit of the past, Tosee in times before us how a wise man thought, And what a glorious height wehave achieved at last.
5.  Hail precious phial! Thee, with reverent awe, Down from thine old receptacleI draw! Science in thee I hail and human art. Essence of deadliest powers,refin'd and sure, Of soothing anodynes abstraction pure, Now in thy master'sneed thy grace impart! I gaze on thee, my pain is lull'd to rest; I grasp thee,calm'd the tumult in my breast; The flood - tide of my spirit ebbs away;Onward I'm summon'd o'er a boundless main, Calm at my feet expands theglassy plain, To shores unknown allures a brighter day.Lo, where a car of fire, on airy pinion, Comes floating towards me! I'mprepar'd to fly By a new track through ether's wide dominion, To distantspheres of pure activity. This life intense, this godlike ecstasy Worm that thouart such rapture canst thou earn? Only resolve with courage stern and high,Thy visage from the radiant sun to turn! Dare with determin'd will to burst theportals Past which in terror others fain would steal! Now is the time, throughdeeds, to show that mortals The calm sublimity of gods can feel; To shuddernot at yonder dark abyss, Where phantasy creates her own self - torturingbrood, Right onward to the yawning gulf to press, Around whose narrowjaws rolleth hell's fiery flood; With glad resolve to take the fatal leap, Thoughdanger threaten thee, to sink in endless sleep! Pure crystal goblet! forth Idraw thee now, From out thine antiquated case, where thou Forgotten hastreposed for many a year! Oft at my father's revels thou didst shine, To gladthe earnest guests was thine, As each to other passed the generous cheer. Thegorgeous brede of figures, quaintly wrought, Which he who quaff'd must firstin rhyme expound, Then drain the goblet at one draught profound, Hath nightsof boyhood to fond memory brought. I to my neighbour shall not reach theenow, Nor on thy rich device shall I my cunning show. Here is a juice, makesdrunk without delay; Its dark brown flood thy crystal round doth fill; Let thislast draught, the product of my skill, My own free choice, be quaff'd withresolute will, A solemn festive greeting, to the coming day!(He places the goblet to his mouth.)
6.  Voice (from above)

推荐功能

1.  Oh 'tis not the mere ornaments alone; Her glance and mien far more betray.Rejoiced I am that I may stay.
2.  I am beside myself with joy, To see once more the gallant Satan here!Mephistopheles
3.  Faust
4.  Faust (deeply moved)
5.   Right! out with him who takes offence! A! tara lara da!Altmayer
6.  Oh no, though strong the love, I cannot boast much skill.Altmayer

应用

1.  The world behold; Unceasingly roll'd, It riseth and falleth ever; It ringeth likeglass! How brittle, alas! 'Tis hollow, and resteth never. How bright the sphere,Still brighter here! Now living am I! Dear son, beware! Nor venture there!Thou too must die! It is of clay; 'Twill crumble away; There fragments lie.Mephistopheles
2.  Mephistopheles (looking round)
3.  What take you now these travellers to be?
4、  The greatest and most representative expression of Goethe's powers iswithout doubt to be found in his drama of "Faust"; but before dealing withGoethe's masterpiece, it is worth while to say something of the history of thestory on which it is founded - the most famous instance of the old andwidespread legend of the man who sold his soul to the devil. The historicalDr. Faust seems to have been a self-called philosopher who traveled aboutGermany in the first half of the sixteenth century, making money by thepractise of magic, fortune-telling, and pretended cures. He died mysteriouslyabout 1540, and a legend soon sprang up that the devil, by whose aid hewrought his wonders, had finally carried him off. In 1587 a life of himappeared, in which are attributed to him many marvelous exploits and inwhich he is held up as an awful warning against the excessive desire forsecular learning and admiration for antique beauty which characterized thehumanist movement of the time. In this aspect the Faust legend is anexpression of early popular Protestantism, and of its antagonism to thescientific and classical tendencies of the Renaissance.While a succession of Faust books were appearing in Germany, the originallife was translated into English and dramatized by Marlowe. English playersbrought Marlowe's work back to Germany, where it was copied by Germanactors, degenerated into spectacular farce, and finally into a puppet show.Through this puppet show Goethe made acquaintance with the legend.By the time that Goethe was twenty, the Faust legend had fascinated hisimagination; for three years before he went to Weimar he had been workingon scattered scenes and bits of dialogue; and though he suspended actualcomposition on it during three distinct periods, it was always to resume, andhe closed his labors upon it only with his life. Thus the period of time betweenhis first experiments and the final touches is more than sixty years. During thisperiod the plans for the structure and the signification of the work inevitablyunderwent profound modifications, and these have naturally affected the unityof the result; but, on the other hand, this long companionship and persistentrecurrence to the task from youth to old age have made it in a unique way therecord of Goethe's personality in all its richness and diversity.The drama was given to the public first as a fragment in 1790; then thecompleted First Part appeared in 1808; and finally the Second Part waspublished in 1833, the year after the author's death. Writing in "Dichtung undWahrheit" of the period about 1770, when he was in Strasburg with Herder,Goethe says, "The significant puppet - play legend . . . echoed and buzzed inmany tones within me. I too had drifted about in all knowledge, and earlyenough had been brought to feel the vanity of it. I too had made all sorts ofexperiments in life, and had always come back more unsatisfied and moretormented. I was now carrying these things, like many others, about with meand delighting myself with them in lonely hours, but without writing anythingdown." Without going into the details of the experience which underlies thesewords, we can see the beginning of that sympathy with the hero of the oldstory that was the basis of its fascination and that accounted for Goethe'sdeparture from the traditional catastrophe of Faust's damnation.Hungarian March from the "Damnation of Faust"Op.24 by HectorBerlioz(1803 - 1869).
5、  If o'er my soul the tone familiar, stealing, Drew me from harrowing thought'sbewild'ring maze, Touching the ling'ring chords of childlike feeling, With sweetharmonies of happier days: So curse I all, around the soul that windeth Itsmagic and alluring spell, And with delusive flattery bindeth Its victim to thisdreary cell! Curs'd before all things be the high opinion, Wherewith the spiritgirds itself around! Of shows delusive curs'd be the dominion, Within whosemocking sphere our sense is bound! Accurs'd of dreams the treacherouswiles, The cheat of glory, deathless fame! Accurs'd what each as propertybeguiles, Wife, child, slave, plough, whate'er its name! Accurs'd be mammon,when with treasure He doth to daring deeds incite: Or when to steep the soulin pleasure, He spreads the couch of soft delight! Curs'd be the grape'sbalsamic juice! Accurs'd love's dream, of joys the first! Accurs'd be hope!accurs'd be faith! And more than all, be patience curs'd!Chorus of Spirits (invisible)

旧版特色

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网友评论(NB7SGR4p40149))

  • 王复蓉 08-04

      Evil - Spirit

  • 陈霖 08-04

      Thy name?

  • 金灿荣 08-04

       I in his presence needs must blush for shame.

  • 徐常珍 08-04

      They are but mountebanks, I'll lay a bet!

  • 胡金浩 08-03

    {  Mephistopheles

  • 王曼 08-02

      I take the cup you kindly reach, Thanks and prosperity to each! (The crowdgather round in a circle.)}

  • 李丽伟 08-02

      You on the Blocksberg I'm rejoiced to find, That 'tis your most appropriatesphere is certain.

  • 宝利丰 08-02

      How long is it her wont to roam?

  • 孙颖 08-01

       Since for the last time I the Brocken scale, That folk are ripe for doomsday,now one sees; And just because my cask begins to fail, So the whole world isalso on the lees.

  • 利特 07-30

    {  Promenade - Faust And Mephistopheles

  • 许晓青 07-30

      Promise me, Henry!

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