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类型【址:a g 9 559⒐ v i p】1:阿列克谢·乌 大小:VJOLeglj63596KB 下载:VGCd3Tzg18455次
版本:v57705 系统:Android3.8.x以上 好评:qpVLQ7t625163条
日期:2020-08-11 01:06:36

1.【址:a g 9 559⒐ v i p】1  Go, you'll laugh at me!
2.  Faust
3.  Accursed mob! How dare ye thus to meet? Have I not shown anddemonstrated too, That ghosts stand not on ordinary feet? Yet here ye dance,as other mortals do!
4.  Ay, out of sight is out of mind! Politeness easy is to you; Friends everywhere,and not a few, Wiser than I am, you will find.Faust
5.  (While undressing herself she begins to sing.)There was a king in Thule, True even to the grave; To whom his dyingmistress A golden beaker gave.
6.  A favour claims return as this world goes.


1.  Fair lady, may I thus make free To offer you my arm and company?Margaret
2.  Ay, if one did not take a somewhat deeper view! To - morrow, in all honour,thou Poor Gretchen wilt befool, and vow Thy soul's deep love, in lover'sfashion.
3.  (pointing to the beasts)
4.  Dost mark how round us, with wide spiral curves, He wheels, each circlecloser than before? And, if I err not, he appears to me A line of fire upon histrack to leave.
5.  Merryman
6.  Margaret


1.  But with the grapes how was it, pray?
2.  Wedded ones, would ye agree, We court your imitation: Would ye fondlylove as we, We counsel separation.
3.  What will you do?
4.  (Exit.)
5.   Ho! ho!
6.  Do you ask? Perchance you would retain the treasure? If such your wish, whythen, I say, Henceforth absolve me from my task, Nor longer waste yourhours of leisure. I trust you're not by avarice led! I rub my hands, I scratch myhead,


1.  A flame is kindled in my breast! Let us begone! nor linger here!Mephistopheles
2.  I feel it, you but spare my ignorance, The gentleman to shame me stoops thuslow. A traveller from complaisance, Still makes the best of things; I know Toowell, my humble prattle never can Have power to entertain so wise a man.Garden Scene: Garden scene with Mephistopheles, Faust, and Margaret.Lithograph by Eugene Delacroix.]
3.  Siebel
4、  Such a reproof disturbs me not a whit! Who on efficient work is bent, Mustchoose the fittest instrument. Consider! 'tis soft wood you have to split; Thinktoo for whom you write, I pray! One comes to while an hour away; One fromthe festive board, a sated guest; Others, more dreaded than the rest, Fromjournal - reading hurry to the play. As to a masquerade, with absent minds,they press, Sheer curiosity their footsteps winging; Ladies display theirpersons and their dress, Actors unpaid their service bringing. What dreamsbeguile you on your poet's height? What puts a full house in a merry mood?More closely view your patrons of the night! The half are cold, the half arerude. One, the play over, craves a game of cards; Another a wild night inwanton joy would spend. Poor fools the muses' fair regards. Why court forsuch a paltry end? I tell you, give them more, still more 'tis all I ask, Thus youwill ne'er stray widely from the goal; Your audience seek to mystify cajole; Tosatisfy them - that's a harder task. What ails thee? art enraptured ordistressed?
5、  Service, Organ, and Anthem




  • 周文联 08-10

      Say what has happened, what's it all about?

  • 拉达宾诺德·巴尔 08-10


  • 张肸 08-10

       (They stand amazed and gaze at each other.)

  • 邹凯 08-10

      Doubtless the purest happiness was thine.

  • 陈剑锋 08-09

    {  Delusion, from their eyes the bandage take! Note how the devil loves a jest tobreak!

  • 陈勤奋 08-08

      Now to the Brocken the witches hie, The stubble is yellow, the corn is green;Thither the gathering legions fly, And sitting aloft is Sir Urian seen: O'er stickand o'er stone they go whirling along, Witches and he - goats, a motleythrong,}

  • 孙戉 08-08

      Upon her neck I fain would hang with joy; To reach it, say, what means mustI employ?

  • 林金宝 08-08


  • 杨杉 08-07

       The greatest and most representative expression of Goethe's powers iswithout doubt to be found in his drama of "Faust"; but before dealing withGoethe's masterpiece, it is worth while to say something of the history of thestory on which it is founded - the most famous instance of the old andwidespread legend of the man who sold his soul to the devil. The historicalDr. Faust seems to have been a self-called philosopher who traveled aboutGermany in the first half of the sixteenth century, making money by thepractise of magic, fortune-telling, and pretended cures. He died mysteriouslyabout 1540, and a legend soon sprang up that the devil, by whose aid hewrought his wonders, had finally carried him off. In 1587 a life of himappeared, in which are attributed to him many marvelous exploits and inwhich he is held up as an awful warning against the excessive desire forsecular learning and admiration for antique beauty which characterized thehumanist movement of the time. In this aspect the Faust legend is anexpression of early popular Protestantism, and of its antagonism to thescientific and classical tendencies of the Renaissance.While a succession of Faust books were appearing in Germany, the originallife was translated into English and dramatized by Marlowe. English playersbrought Marlowe's work back to Germany, where it was copied by Germanactors, degenerated into spectacular farce, and finally into a puppet show.Through this puppet show Goethe made acquaintance with the legend.By the time that Goethe was twenty, the Faust legend had fascinated hisimagination; for three years before he went to Weimar he had been workingon scattered scenes and bits of dialogue; and though he suspended actualcomposition on it during three distinct periods, it was always to resume, andhe closed his labors upon it only with his life. Thus the period of time betweenhis first experiments and the final touches is more than sixty years. During thisperiod the plans for the structure and the signification of the work inevitablyunderwent profound modifications, and these have naturally affected the unityof the result; but, on the other hand, this long companionship and persistentrecurrence to the task from youth to old age have made it in a unique way therecord of Goethe's personality in all its richness and diversity.The drama was given to the public first as a fragment in 1790; then thecompleted First Part appeared in 1808; and finally the Second Part waspublished in 1833, the year after the author's death. Writing in "Dichtung undWahrheit" of the period about 1770, when he was in Strasburg with Herder,Goethe says, "The significant puppet - play legend . . . echoed and buzzed inmany tones within me. I too had drifted about in all knowledge, and earlyenough had been brought to feel the vanity of it. I too had made all sorts ofexperiments in life, and had always come back more unsatisfied and moretormented. I was now carrying these things, like many others, about with meand delighting myself with them in lonely hours, but without writing anythingdown." Without going into the details of the experience which underlies thesewords, we can see the beginning of that sympathy with the hero of the oldstory that was the basis of its fascination and that accounted for Goethe'sdeparture from the traditional catastrophe of Faust's damnation.Hungarian March from the "Damnation of Faust"Op.24 by HectorBerlioz(1803 - 1869).

  • 蒂莫西·斯诺登 08-05

    {  Ay, neighbour! So let matters stand for me! There they may scatter oneanother's brains, And wild confusion round them see So here at home in quietall remains! Old Woman (to the Burghers' Daughters) Heyday! How smart!The fresh young blood! Who would not fall in love with you? Not quite soproud! 'Tis well and good! And what you wish, that I could help you to.Burgher's Daughter

  • 林苑 08-05