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类型【址:a g 9 559⒐ v i p】1:连江综 大小:wMaUCtgp10226KB 下载:g9qp5Ypr83191次
版本:v57705 系统:Android3.8.x以上 好评:HE4lLD1O99966条
日期:2020-08-03 23:25:21
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陈昭宗

1.【址:a g 9 559⒐ v i p】1  Siebel
2.  Look at those handsome fellows there! 'Tis really shameful, I declare, Thevery best society they shun, After those servant girls forsooth, to run.Second Student (to the first)
3.  Faith! he's a knowing one!
4.  Should I advise it else, sweet love?
5.  Fair lady, may I thus make free To offer you my arm and company?Margaret
6.  Altmayer

计划指导

1.  We heard erewhile, unless I'm wrong, Voices well trained in chorus pealing?Certes, most choicely here must song Re - echo from this vaulted ceiling!Frosch
2.  Who's that, pray?
3.  Mephistopheles
4.  Let's up to Burghof, there you'll find good cheer, The prettiest maidens andthe best of beer, And brawls of a prime sort.
5.  What was it?
6.  Mephistopheles

推荐功能

1.  Mephistopheles
2.  Mephistopheles
3.  The Neighbour's House - Martha, Margaret And MephistophelesMartha (alone)
4.  'Tis well! I oft have envied you indeed, The twin - pair that among the rosesfeed.
5.   Faust
6.  What, all my truth, my love forgotten quite? My weary drudgery by day andnight!

应用

1.  No greetings to a sweetheart! No love - songs shall there be!Frosch
2.  Frosch
3.  Parvenu
4、  Let me alone! O'er a full glass you'll see, As easily I'll worm their secret out,As draw an infant's tooth. I've not a doubt That my two gentlemen are noblyborn, They look dissatisfied and full of scorn.Brander
5、  Then parry that!

旧版特色

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网友评论(TdG4ug6p84822))

  • 刘佳莹 08-02

      By all rejected love! By hellish fire I curse, Would I knew aught to make myimprecation worse!

  • 蒂莫-斯蒂芬斯 08-02

      Mephistopheles

  • 阿依 08-02

       The shepherd for the dance was dress'd, With ribbon, wreath, and colouredvest, A gallant show displaying. And round about the linden - tree, Theyfooted it right merrily. Juchhe! Juchhe! Juchheisa! Heisa! He! So fiddle - bowwas braying

  • 张智荣 08-02

      It need hardly be said that Goethe's "Faust" does not derive its greatness fromits conformity to the traditional standards of what a tragedy should be. Hehimself was accustomed to refer to it cynically as a monstrosity, and yet heput himself into it as intensely as Dante put himself into "The Divine Comedy."A partial explanation of this apparent contradiction in the author's attitude is tobe found in what has been said of its manner of composition. Goethe began itin his romantic youth, and availed himself recklessly of the supernaturalelements in the legend, with the disregard of reason and plausibilitycharacteristic of the romantic mood. When he returned to it in the beginning ofthe new century his artistic standards has changed, and the supernaturalismcould now be tolerated only by being made symbolic. Thus he makes thecareer of Faust as a whole emblematic of the triumph of the persistent strivingfor the ideal over the temptation to find complete satisfaction in the sense, andprepares the reader for this interpretation by prefixing the "Prologue inHeaven." The elaboration of this symbolic element is responsible for suchscenes as the Walpurgis - Night and the Intermezzo scenes full of power andinfinitely suggestive, but destructive of the unity of the play as a tragedy ofhuman life. Yet there remains in this First Part even in its final form much thatis realistic in the best sense, the carousal in Auerbach's cellar, the portrait ofMartha, the Easter - morning walk, the character and fate of Margaret. It issuch elements as these that have appealed to the larger reading public and thathave naturally been emphasized by performance on the stage, and by virtue ofthese alone "Faust" may rank as a great drama; but it is the result of Goethe'sbroodings on the mystery of human life, shadowed forth in the symbolic partsand elaborated with still greater complexity and still more far - reachingsuggestiveness - and, it must be added, with deepening obscurity - in theSecond Part, that have given the work its place with "Job," with the"Prometheus Bound," with "The Divine Comedy," and with "Hamlet."The Tragedy Of Faust - Dedication

  • 范明 08-01

    {  (She gathers a star - flower and plucks off the leaves one after another.)Faust

  • 赵康华 07-31

      (He disappears with Faust; the fellows draw back from one another.)Siebel}

  • 克里斯托弗·迪洛伊 07-31

      Welcome sweet twilight, calm and blest, That in this hallow'd precinct reigns!Fond yearning love, inspire my breast, Feeding on hope's sweet dew thyblissful pains! What stillness here environs me! Content and order broodaround. What fulness in this poverty! In this small cell what bliss profound!(He throws himself on the leather arm - chair beside the bed)Receive me thou, who hast in thine embrace, Welcom'd in joy and grief theages flown! How oft the children of a by - gone race Have cluster'd round thispatriarchal throne! Haply she, also, whom I hold so dear, For Christmas gift,with grateful joy possess'd, Hath with the full round cheek of childhood, here,Her grandsire's wither'd hand devoutly press'd. Maiden! I feel thy spirit hauntthe place, Breathing of order and abounding grace. As with a mother's voice itprompteth thee, The pure white cover o'er the board to spread, To strew thecrisping sand beneath thy tread. Dear hand! so godlike in its ministry! The hutbecomes a paradise through thee! And here - (He raises the bed - curtain.)How thrills my pulse with strange delight! Here could I linger hours untold;Thou, Nature, didst in vision bright, The embryo angel here unfold. Here laythe child, her bosom warm With life; while steeped in slumber's dew, Toperfect grace, her godlike form, With pure and hallow'd weavings grew!And thou! ah here what seekest thou? How quails mine inmost being now!What wouldst thou here? what makes thy heart so sore? Unhappy Faust! Iknow thee now no more.

  • 李丹丹 07-31

      Witch

  • 崔俊德 07-30

       My brother! God! what can this mean?

  • 索普拉多拉 07-28

    {  Chorus of Witches

  • 蔡文胜 07-28

      Student

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